<p><span><span>- To paraphrase Oscar Wilde’s Lady Bracknell, “<em>To issue one album after a long hiatus may be regarded as fortunate, to issue two within a month of each other looks like carelessness.</em>” The Brisbane twins <strong>Lisa </strong>and<strong> Jessica Origliasso</strong> have doubled their album output as <strong>The Veronicas</strong> with <em>Godzilla</em><strong>, </strong>out at the very end of May this year and then four weeks later <em>Human</em>. Both are full length releases with twelve tracks each and <em>Godzilla</em> was their first since their eponymous 2014 album.</span></span></p>

<p><span><span>The reasoning behind this avalanche of tunes is best left to Sony Australia to explain (like, they have had a bit of that to do lately, so they should be up for it). The tracks that comprise <em>Godzilla</em> feature previously released singles <em>In My Blood</em> from 2016 and 2017’s <em>The Only High</em> and on <em>Human</em> the equally “old” singles <em>On Your Side </em>(2016), <em>Think Of Me </em>(2019) and the relevantly recent <em>Biting My Tongue (2020)</em>. With that amount of chart dominating fire-power, how does the rest of the content shape up?</span></span></p>

<p><span><span>It’s a bit hither and thither, to be frank. With a slew of producers, writers and locations used to create the two albums, the coherence isn’t there that a purpose made album would display. However, that could also be the mindset of this reviewer who is from a previous generation expecting artists “to work on an album”, release it, promote it and then move on to the next project a year or some later. And, to be fair, <em>Human</em> does hang together fairly well, given that a third of the album is produced by and co-written with <strong>David Muscemci &amp; Anthony Egizii </strong>aka <strong>DNA</strong>, regular collaborators with the Origliasso twins. Their uncanny knack of providing a song with that chart-topping sheen is one of the reasons <em>Human</em> does work as an album. Over on <em>Godzilla</em> their contribution is restricted to the two aforementioned singles which are fairly perfect as pop songs go – one an earworm worthy banger, the other an emoting, soaring ballad.</span></span></p>

<p><span><span>According to the pressers sent around ahead of these two albums, the selection of what went where fell into The Veronicas-as-cat-suited-strutting-vixens, personas that are reminiscent of their earlier 2000s recordings <em>(Godzilla)</em> and The Veronicas-as-vulnerable-songwriters, perhaps setting out their stall for where they might go in the future <em>(Human)</em>. Depending on your taste and response to those two descriptions is where your preference for these albums will land.</span></span></p>

<p><span><span><em>Human</em> is markedly the more contemporary in sound with an array of collaborators - <em>Lies</em> (featuring <strong>Muki</strong>); <em>Movie Star</em> (featuring <strong>Fr33sol </strong>and <strong>Lavva</strong>) <em>Out of Time</em> (featuring <strong>Wrabel</strong>) and the recent single <em>Life of the Party</em> (featuring <strong>Allday</strong>). <em>Godzilla</em> only has <em>Silent</em> (featuring <strong>Travis Barker</strong>). Apart from <strong>DNA</strong> only US based German writer/producer <strong>Toby Gad</strong> &amp; <strong>1984 </strong>(aka <strong>Wes Jones &amp; Mat Sherman</strong> (with three and two songs respectively on <em>Godzilla)</em> and South African <strong>Robby De Sá</strong> and Australian <strong>Sam Sakr</strong><em><strong> </strong></em>(both contributing two songs each on <em>Human)</em> have multiple producer credits.</span></span></p>

<p><span><span>Back in the day of vinyl albums, these two separate releases would most likely have been combined as a double LP release with extensive packaging, photos, liner notes – the full works. Now it seems that digital first releasing allows an artist to lay out all they have been working on. Given this has been a stop-start project spanning more than five years releasing two albums nearly at once leans toward that “careless” remark. Though it does give those who follow The Veronicas an option – if you liked their rockier, pop driven sound from earlier on, go for <em>Godzilla</em>; if you want something of their creative future direction, complete with collaborations left, right and centre, go with <em>Human</em>. Or as a famous ad says, “Why not both?” Why not indeed…2021 isn’t much better than 2020, we need all the distractions – careless or not – that we can get. </span></span></p>

<p><span><span>- Blair Martin.</span></span></p>
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