<p><span><span>- Clairo’s 2019 debut album <em>Immunity</em> received critical acclaim for its detailed song writing, lo-fi production and aesthetic. There’s variety in <em>Immunity, </em>with soft,<em> </em>up-tempo rock tunes between smooth ballads and importantly, memorable melodies and lyrics. Unfortunately, singer/songwriter <strong>Claire Cottrill</strong>’s sophomore album <em>Sling</em> doesn’t reach those same heights.</span></span></p>

<p><span><span>The album’s lead single<em> Blouse</em> was a promising glimpse into the stylistic direction the twenty-two-year-old viral sensation has taken here. The track’s soft, layered vocals capture what feels like it should be a tender moment, but the lyrics are blunt and defeated: “<em>Why do I tell you how I feel</em> <em>/ When you’re just looking down my blouse?</em>” It’s a coarse and real frustration delivered with apathy, making those feelings all the more potent. When compared to her first album, <em>Blouse </em>feels more mature lyrically, with a sense of self-assurance. It feels like she’s not trying to prove anything to anyone and is just creating art. </span></span></p>

<p><span><span>Unfortunately, upon listening to <em>Sling</em> in full it becomes apparent that <em>Blouse</em> gave too much away about the album’s trajectory. While each track independently is fine, the collection feels incredibly lacklustre. There’s an intentional grainy quality throughout, giving a mellow, 1950s feel to the sound, like this is music to be listened to on a record player in your bedroom. But after a while, what should be a subtle and unique effect becomes distracting. There are also very few moments of energy, with the exception being a brief moment in <em>Joanie</em>, a sweet instrumental work named after Cottrill’s dog. This is one of the more interesting tracks on <em>Sling</em>, taking clear influence from <strong>Billy Joel’</strong>s jazzy piano licks alongside slide guitar and some interesting synths. </span></span></p>

<p><span><span>Produced alongside extraordinary Grammy and Golden Globe award winner <strong>Jack Antonoff</strong> with guest backing vocals from <strong>Lorde</strong>, there’s no doubting the talent behind <em>Sling</em>. It’s clear when listening to the quadruple-layered vocals, the mellow and tender mix of the smooth jazz influenced instrumentals, and the often astute lyrics that there was a lot of heart and skill involved in getting the album to where it is. While impressive technically, it really does feel like too much of the same after only a few songs. </span></span></p>

<p><span><span>Lyrically, Clairo delves into some beautifully subtle commentary on mental health and the struggle that comes with self-love and expression, while her melodies are more forgettable, particularly when compared with her first album. <em>Immunity</em> showed that it was possible to maintain Clairo’s signature bedroom pop, low energy style while keeping each track feeling fresh and new, <em>Sling</em> unfortunately seems to forget how to achieve that.</span></span></p>

<p><span><span>- Alison Paris.</span></span></p>
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