<p><span><span>- Few people can claim to have had a good year throughout 2020. Of those few, barely any have had the year that Megan Thee Stallion<em> </em>has had. Coming off XXL and her <em>Fever</em> project last year, Megan has seen a wave of success with her last EP <em>Suga</em>, big hit <em>Savage</em>, the even bigger <strong>Beyonce </strong>remix and of course the much talked about <em>WAP </em>with <strong>Cardi B</strong>. Even beyond the music Megan has created significant ongoing drama with singer <strong>Tory Lanez </strong>after an incident in which she was shot in the foot. Now with debut record <em>Good News</em>, Megan is hopeful to continue her rise to the top and establish why she is the name in everyone’s mouths.</span></span></p>

<p><span><span><em>Shots Fired </em>immediately addresses the Tory drama, head on, as Megan comes for the singer, as well as others including an ex-friend, over a remix of <strong>The Notorious B.I.G.</strong>’s classic <em>Who Shot Ya </em>beat. Megan has continued to impress me by remixing famous beats with female-centric lyrics, a tactic that reappears late in the track list with revamped <strong>Easy-E </strong>cut <em>Girls in The Hood</em> as well as a <strong>Tupac</strong> beat off <em>Suga</em>. While <em>Shots Fired </em>may not have the coldest insults, Megan’s one-liners and '90's-esque flow allow it to hit the necessities of a solid diss track.</span></span></p>

<p><span><span>Strip-club anthems remain Megan’s bread and butter with tracks like <em>Body </em>and <em>Do It on the Tip</em> which rely on their incessant hooks. It's a feature which <em>Tip </em>does significantly better than the repetitive <em>Body</em>. These are loud and bombastic tunes with bass-heavy energy designed to do what a strip-club anthem should, as Megan continues to flaunt the fact that she sells more than just her ability on the mic. </span></span></p>

<p><span><span>If people want to continue discussing the power difference between male and female rappers in the industry, it should be noted that almost none of the male rappers featured on <em>Good News </em>bring anything to table. <strong>DaBaby</strong> contributes his overused flow to the decent <em>Cry Baby</em> over the same bassline that he has used on every song since 2018. <strong>Lil Durk </strong>is somehow asleep on a bouncing <strong>Tay Keith </strong>beat for <em>Movie </em>despite Megan trying her best to save the song with a matching (but much better) flow that perfectly rides the production while I don’t even know what <strong>Popcaan </strong>is attempting with a vulgar and stupid chorus on tropical track <em>Intercourse</em> where even Megan seems bored. </span></span></p>

<p><span><span><em>Go Crazy</em><strong> </strong>is built on a small yet successful <strong>Jackson 5 </strong>sample which may prove it to be a charts winner if released as a single. Megan leads off with a fiery verse in which she promises to go Super Saiyan despite the fact she only needs looks to sell. <strong>Big Sean </strong>is an eyeroll with lines about editing women out of leaked sex-tapes but thankfully <strong>2 Chains </strong>does his usual with a few witty one-liners.</span></span></p>

<p><span><span>There are a few tracks not mentioned here that bring the album down a bit, especially a pretty awful pop number where Megan’s vocals just don’t work. Beyond this though, <em>Good News</em> is a fun pop-trap hybrid delivered by a solid MC with good flows and a whole mile of presence. Despite a variety of setbacks for Megan, <em>Good News </em>is exactly that: a solid debut from a promising artist who continues to find monumental success. </span></span></p>

<p><span><span>- James Chadwick.</span></span></p>