<p><span><span><span>- Gabriella Cohen returns with a new full-length, infused with her signature blues-rocking and also that subversive ability to visit all sorts of styles without you even realising. Unassumingly self-released -I mean, it’s not the time to be making big industry moves, is it?- it just might be the time, however, to throw off the smothering blanket of the last couple of years and be </span><em>Blue No More</em><span>.</span></span></span></p>

<p><span><span><span>- Taking a step back from the increasingly prolific output of Australian noise-pop artist Katie Dey, it’s actually kind of crazy to hear the difference between her earliest, hyper-experimental, jagged, digital storms of destroyed pop and what now, in many ways, is recognisably the sound of a singer-songwriter. Dey’s music is so integral to her being that such a change speaks to profound changes in herself.

<p><span><span>- Bands devolving into other line-ups, splitting into duos or trios is commonplace in the music industry. Also just as common, though you might not think it so, are bands downsizing to just one person – <strong>WHAM!