Seasick Steve: Love & Peace

<p><span><span>- It has been a hot minute since I’d given much from Seasick Steve<strong> </strong>a burl so when <em>Love &amp; Peace </em>rolled around, the feeling was much the same as catching up with an old friend. 2008’s <em>Started Out With Nothing </em>was the modern entry point for me to retroactively dive into blues and when reports surfaced in 2016 about Seasick Steve’s narrative being a fabrication, it seems like a kayfabe breaking would put a pin in the train-hopping tale. Well, it didn’t.

Cub Sport: Like Nirvana

- On last year’s breakthrough, self-titled album, Brisbane synth-pop four-piece Cub Sport redefined their status as a band, moving from being indie-pop darlings to a group with the potential to reconsider genre and gain an international cult following. Now they’re back with their fifth studio album LIKE NIRVANA, which not only looks past the visions of their previous records but transcends them entirely.

Katie Dey: My Data

<p><span><span>- It’s hard to find Katie Dey in the physical world. It’s also the case that a lot of what you can say about her and her music is tied up in that. The bizarre, pitch-shifted and massively distorted pop that began appearing half-a-decade ago was almost like a transmission from another dimension: a voice trying to break through invisible barriers and just be here. I’ve found it intriguing to follow the evolution of Katie Dey’s voice -and I mean her voice, literally- as it has fleshed out, become more human and real.

sleepmakeswaves: These Are Not Your Dreams

<p><span><span>- When sleepmakeswaves announced they were releasing new music, it wasn’t a celebratory declaration, but a sombre one of determination. “A lot’s happened since our last release. It’s a crazier, darker world…” they began, adding “It’s damn hard keeping the artist ship afloat, when being an artist doesn’t mean what it used to.” This was in January, <em>before</em> the pandemic came in and more or less obliterated whatever plans any artist had for the future. </span></span></p>

MBE Brisbane CBD

Established in 2001, MBE Brisbane CBD was purchased by current owner Chris Ryder in 2015 and relocated to The Brisbane Club Tower. In the past 5 years, MBE Brisbane CBD has become not only one of the top performing and top rated MBE Centres in Australia, but also one of the top providers of Print & Courier Services in the City, winning numerous awards for their outstanding customer service.

They are one of 2,500 MBE business centres worldwide and pride themselves on superior customer service, providing products and services that are of the highest quality.

Holiday Party: Holiday Party

<p><span><span>- I’m a little late getting to the <em>party</em> here, to shower praise on the boutique pop project of <strong>Mel Tickle </strong>and <strong>Luke McDonald</strong>, that is, Holiday Party. The veteran Brisbane musos have been doing quite a bit of business with the songs of their latter-day project (did they win Bigsound? Is that a thing, can you win Bigsound?) and now those songs are all together, forming quite a record.</span></span></p>

20th July 2020

Mulatu Astatke and Black Jesus Experience: To Know Without Knowing  (Agogo Records)^

Kobie Dee: Same Old Shit (Bad Apples Music)^ [LANGUAGE/CONCEPT WARNING]

Holiday Party - 'Holiday Party'

4ZZZ's Album of the Week: Holiday Party - Self Titled Debut Album

Holiday Party today mark a career milestone with the release of their highly anticipated self-titled debut album. Eight multilayered songs long, Holiday Party serves as an episodic track by track inspired by the many stages of a relationship breakdown.

Holiday Party is representative of the duo's signature brand of intelligent, junkyard pop. Lovers of popular culture and creating sparkling aural soundscapes, Mel Tickle and Luke McDonald present a superlative body of work that cleverly depicts the duality of human nature; oscillating between poisonous rumination and happy resolution. "The album chronicles a breakup. Whether that’s with a partner, a friend, or a version of yourself," explains Luke.

The two have been busy the past few years, with notable achievements such as playing at BIGSOUND, as well as airplay on community radio stations 4ZZZ, FBi Radio, PBS 106.7FM Melbourne and Triple R - 3RRR 102.7FM. The band received nominations two years in a row for the electronic/dance category at the Queensland Music Awards.

To put their best work forward, the duo has surrounded themselves with pioneers of the Australian music industry including; the co-writing skills of Peter Bernoth & Scott Bromiley (The John Steel Singers), mastering by Jonathan Boulet (PARTY DOZEN, Wolf And Cub), and mixing from Miro Mackie (Cold War Kids, St. Vincent, Mallrat). They've also received praise nationwide from the likes of Mixdown Magazine, NME Australia, Happy Mag, RAGE and most recently Belgian outlet Dansende Beren. Join in the journey and get your heart and ears around the latest offering from Holiday Party.

100 Gecs: 1000 Gecs & The Tree Of Clues

<p><span><span>- Combining the bizarre bubblegum pop, trap, dubstep, metal, and electronica of last year’s debut, with an expanded universe of collaborators, the new record by American experimental duo 100 gecs<em> </em>is as thrilling as their last. Initially formed in 2016 for a relatively straightforward EP, 100 gecs’ <strong>Dylan Brady</strong> and <strong>Laura Les</strong> came to public attention with their debut, <em>1000 gecs</em>, a record that went viral on the internet for its distinctively millennial sound.