Dana Scully: Designated Crying Hours
In no specific order:
#10 Carla Geneve: S/T
#9 Sports Bra: Talk It Out
#8 Control Top: Covert Contracts
#7 Hexdebt: Rule of Four
#6 Proper.: I Spent The Winter Writing Songs About Getting Better
#5 La Dispute: Panorama
#4 Patio: Essentials
#3 CultdreamsThings That Hurt
#2 Angie McMahon: Salt
#1 Mannequin Pussy: Patience
Louise Sanders: Dikes On Mikes / Beyond The Breakerzzz
No specific order:
#4 Flangipanis: Community backwash
#3 Waax: Big grief
#2 Charlie Rebel: The People's Republic Of Earth
#1 Being Jane Lane: Savage Sunday
Review: A Very Kransky Christmas at QPAC 2019
On the 17th of December at precisely 7:30pm, inside the Cremorne Theatre in QPAC, commenced the performance of A Very Kransky Christmas. Starring Annie Lee as ‘Mourne’, Christine Johnston as ‘Eve’ and Carolyn Johns as Dawn, A Very Kransky Christmas is a one of a kind Christmas celebration fit for the whole family. What’s not to like about glowing chokos, carols sung with quirky instruments and a good old fashioned tuba solo to Daft Punk’s ‘Get Lucky’?
Sean Tayler: Opinion Police
Ordered from least to most favourite:
#10 Xiu Xiu: Girl With Basket of Fruit
#9 Kim Gordon: No Home Record
#8 (Sandy) Alex G: House of Sugar
#7 Aldous Harding: Designer
#6 Julia Jacklin: Crushing
#5 Charli XCX: Charli
#4 Local Authority: Negative Space
#3 Big Thief: UFOF
#2 Weyes Blood: Titanic Rising
#1 Angel Olsen: All Mirrors
Sam: Down For The Count
Ordered from least to most favourite:
#10 Two People: First Body
#9 Full Power Happy Hour: Fun EP
#8 No Sister: Influence EP
#7 McKisko: Southerly
#6 Chelsea Wolfe: Birth Of Violence
#5 HTRK: Venus In Leo
#4 Syrup, Go On: Last Light
#3 The Biology Of Plants: Vol. 2
#2 Local Authority: Negative Space
#1 Pleasure Symbols: Closer And Closer Apart
Lisa: Crack Of Sparrows
Ordered from least to most favourite:
#9 Lucky Oceans: Purple Sky (songs originally by Hank Williams)
#8 Milk Carton Kids: The Only Ones
#7 The Teskey Brothers: Run home slow
#6 Dennis Duigan: Grounded Doves
#5 Justin Townes Earle: The Saint of Lost Causes
#4 Gene Clark: No Other (Reissue)
#3 Dana Gehrman: Find a Way
#2 Esther Rose: You Made it This Far
#1 Lost Ragas: This is not a dream
Slippery Rich: Choon Choon Train
Ordered from least to most favourite:
#10 Psychedelic Porn Crumpets: And Now for the Whatchamacallit
#9 Dope Lemon: Smooth Big Cat
#8 Cousin Tony's Brand New Firebird: New Romancer
#7 The Murlocs: Manic Candid Episode
#6 Julia Jacklin: Crushing
#5 King Gizzard and the Lizard WizardI: nfest The Rats' Nest
#4 Stonefield: Bent
#3 King Gizzard and the Lizard Wizard: Fishing For Fishies
#2 Angie McMahon: Salt
#1 Two People: First Body
4ZZZ Hot 100 Hangout 2019
Hang 2019 out to dry at the Hot 100 Hangout. ???
Join your favourite 4ZZZ announcers from midday on New Years Day as we countdown your favourite 100 tracks of 2019 live from The Triffid.
See 4ZZZ personalities take a dip in the dunk tank, with a jumping castle and indoor games for the kids, cuz this is an under 18s and dog friendly event. Checkout more information on the Hot 100 Hangout Facebook event.
Young Henrys and The Triffid, proud sponsors of 4ZZZ.
Review: Sony Pictures presents Jumanji: The Next Level (2019)
Sony Pictures presents the second installment to Jumanji: Welcome to the Jungle (2017) with Jumanji: The Next Level (2019). In Cinemas December 26th, this film is the perfect way to kick off your Christmas holidays with an action-packed adventure starring Jack Black, Kevin Hart, Dwayne Johnson, Karen Gillan and Nick Jonas. This time around we are also joined by a few more familiar faces including Awkwafina, Danny DeVito and Danny Glover.
Ben Salter - 'The Mythic Plane'
One of Australia’s most highly acclaimed and hardest working musicians Ben Salter has released his fourth solo album The Mythic Plane. The album sees a departure from Salter’s previous three studio albums The Cat, The Stars My Destination and 2017’s Back Yourself, being largely self-recorded and wholly self released. It was partly recorded during and inspired by Salter’s epic tour of Japan & Europe, where he performed 106 shows over seven months across fourteen countries - an average of nearly one performance every two days. For seven months.
Of the Album Salt says: “The Mythic Plane was very much informed by the rather long and exhausting tour I put myself and my partner through from July 2018 until February this year. I was having regular crises of confidence almost from the get go, where the sweltering heat of a Japanese summer, combined with acute culture shock, language alienation and some fairly inhospitable touring conditions conspired to end the tour before it had really begun. As we traversed some of the most expensive places in the world (Japan, Scandinavia) playing to very few people I continued to question what the hell I was doing and who the hell I thought I was doing it. Even the amazing experiences we were having on a daily basis in some truly remarkable locations - the craziness of Japanese night life, a visit to (and subsequent appearance on) the filming on an episode of Antiques Roadshow in the UK, a trip to Parc Asterix outside Paris, a gig in a massive sheep shed in rural Brittany, a series of house concerts across Switzerland, and two performances at the restaurant of a celebrity chef in Lisbon, among many many others - were often not enough to counteract the intense self-doubt and fatigue that I found myself experiencing during the trip."
The album has a much looser feel and more basic production approach that Salter’s previous three albums- the songs were written and recorded very quickly and mostly mixed by Salter himself along with a few close friends and collaborators including Chris Yates (Dollar Bar, The Weak Boys, Vape Dadz) and Jamie Trevaskis. The result is an immediate, spontaneous sounding album that simultaneously features some of Salter’s most accessible and esoteric compositions.
“I am continually trying to approach a point of complete freedom in my writing, an almost jazz-like approach to lyrics and melodies, a complete destruction of conscious thought and a total embrace of chaos and immediacy. I have a long way to go, but this album is definitely the closest I have got so far. I am hoping to produce more albums more quickly from now on; to labour over them less and let all the elements that I find the most interesting in my own music as well as others’ - spontaneity, playfulness, individuality & character - come to the fore.” says Salter.