Jay Som: Anak Ko

- Jay Som’s music has always teetered between genres, blurring their lines in a dreamy haze, even as her music sheds light on her life. Themes such as Asian-American and queer cultural intersectionality, nostalgia and millennial life are all given an effective vehicle in her signature blend of lo-fi indie rock. However, on Anak Ko, “my child” in English, Jay Som is experimenting with the music much more adventurously.

Broads: Stay Connected

- “Where are the folks like you and I?” The question is posed on the recent single, Velvet Paradise, from the new record by southern duo, Broads. It has hidden depth, multiple meanings and it’s central to what’s going on here. By turns it has elements that are pouting and plaintive, mysterious, menacing, seductive and melancholy. If you were going to try and boil it down to one thing I guess it would be this: Broads questions what it is, in the present day, to be a dangerous woman.

Tropical Fuck Storm: Braindrops

- Braindrops is the second album in as many years from Tropical Fuck Storm and an album that leaps over the mordant bar set by its predecessor. Their sophomore album heightens the energy but does so by being less outwardly jarring. This may simply be a result of the band becoming more familiar, but, hey, I still wouldn't describe what they do as 'easily digestible'.

Yamato – The Drummers of Japan @ Redlands Performing Arts Centre

My first Taiko drumming experience was in the 1990’s in Melbourne with a free lunch-time show at the Melbourne Central shopping centre. At the time, the building was home to the amazing Japanese Daimaru department store. 

More recently the “Akira” album by Melbourne-based band, Black Cab featured Taiko master, Toshi Sakamoto. Black Cab even played at GoMA in 2017 with two Taiko drummers in tow.

Lagerstein: 25/7

- On my first listen to the lead single Dig, Bury, Drink from Lagerstein’s forthcoming third album 25/7 I honestly believed that Brisbane had birthed a German bier-hall band; not realising that they were a pirate metal band. After the second spin of the record, and a visit to their website, I would have to say that these buccaneering Brisbanites -with brandished swords- have composed a pirate metal soundtrack. It's so richly theatrical it feels like there should be a whole pirate musical to go with it, even if it doesn't exist yet.

Review: Latin American Gala QSO

Latin American Gala presented by the Queensland Symphony Orchestra

 

Conductor Alondra de la Parra 

Guitar Soloist Yamandu Costa

With Brisbane Girls Grammar School students

Chávez Sinfonía india (Symphony No.2) 

Costa Concerto Fronteira 

Guarnieri Dança Brasileira, Dança Selvagem, Dança Negra

Villa-Lobos Bachianas Brasileiras No.7 

Moncayo Huapango 

 

A Wild and Raucous Musical Trip around the Americas

4ZZZ Top 20

1. Thelma Plum - Better In Blak

2. Mallrat - Charlie (Single)

3. Sahara Beck - Don't Overthink It (Single)

4. Hearts And Rockets - Power (Album Of The Week)

5. Chats, The - Identity Theft (Single)

6. Tia Gostelow - Get To It (Single)

7. Parsnip - When The Tree Bears Fruit

8. Thigh Master - Mould Lines (Single)

9. Start Together - Az Nem Várhat (Single)

10. DUMB THINGS - Today Tonight (Single)

11. Miiesha - Drowning (Single)

12. Full Flower Moon Band - Roadie (Single)

No Sister - 'Influence'

Continuing their interest in experimenting with the post-punk song, No Sister's upcoming EP is an acknowledgement of an elemental, unavoidable creative facet: influence. Threading various literary, musical and aesthetic influences that range from Sheila Heti, Ruth O'Leary, David Sylvian, Ryuichi Sakamoto and Prince, No Sister's new EP expands their post-punk sound to include influences from both sides of the Atlantic (and Pacific).